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	<title>The Bollywood Observer &#187; Television</title>
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	<description>Tracking Bollywood’s emergence into a new era.</description>
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		<title>Aisha: Bollywood&#8217;s Next Rom-Com&#8230; A Trailblazer?</title>
		<link>http://www.thebollywoodobserver.com/2010/06/27/bollywoods-next-rom-com-aisha-a-trailblazer/</link>
		<comments>http://www.thebollywoodobserver.com/2010/06/27/bollywoods-next-rom-com-aisha-a-trailblazer/#comments</comments>
		<pubDate>Sun, 27 Jun 2010 06:07:46 +0000</pubDate>
		<dc:creator>Swati</dc:creator>
				<category><![CDATA[Anurag Kashyap]]></category>
		<category><![CDATA[Bollywood Music]]></category>
		<category><![CDATA[Hindi Television]]></category>
		<category><![CDATA[Karan Johar]]></category>
		<category><![CDATA[Movie Promos]]></category>
		<category><![CDATA[Munnabhai]]></category>
		<category><![CDATA[Parallel Cinema]]></category>
		<category><![CDATA[Progressive Films]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Yash Chopra]]></category>
		<category><![CDATA[Abhay Deol]]></category>
		<category><![CDATA[Aisha]]></category>
		<category><![CDATA[I Hate Luv Storys]]></category>
		<category><![CDATA[Mahi Way]]></category>
		<category><![CDATA[Sonam Kapoor]]></category>

		<guid isPermaLink="false">http://www.thebollywoodobserver.com/?p=242</guid>
		<description><![CDATA[In a previous post, I stressed Bollywood&#8217;s need for I Hate Luv Storys to succeed. I am hesitant about the film&#8217;s ability of moving away from the cliches decades of formulaic Bollywood movies have created, but am hopeful that newcomers Sonam Kapoor and Imran Khan and debutant director Punit Malhotra will deviate from the tired [...]]]></description>
			<content:encoded><![CDATA[<p>In a previous post, <a href="http://www.thebollywoodobserver.com/?p=227">I stressed Bollywood&#8217;s need</a> for <em>I Hate Luv Storys</em> to succeed. I am hesitant about the film&#8217;s ability of moving away from the cliches decades of formulaic Bollywood movies have created, but am hopeful that newcomers Sonam Kapoor and Imran Khan and debutant director Punit Malhotra will deviate from the tired masala recipe that producers use to draw in the crowds.</p>
<p>Although I am unsure about <em>I Hate Luv Storys </em>(but not completely disheartened),<em> </em>I am much more confident and excited about another rom-com that will release soon after <em>IHLS:</em> <em>Aisha</em>. Now, watching the trailer, it doesn&#8217;t hide its obvious similarities with the other Jane Austen&#8217;s <em>Emma</em> interpretation, <em>Clueless</em>. But, unlike my concerns with <em>IHLS</em>, I believe this film will push the envelope and give Bollywood something that will be more innovative, rather than feed off of Bollywood&#8217;s developing love of romantic comedies without the over the top drama. Yes, it is a commercial Bollywood film made to draw in the crowds, but I believe it will do so on its own terms, not because of a tried and tested routine. There are a few reasons that I believe this film is the romantic comedy worth waiting for:</p>
<ul>
<li><strong>Abhay Deol.</strong> He plays the male lead, and his career so far is amazing. As I <a href="http://www.thebollywoodobserver.com/?p=173">wrote in a previous post</a>, he is THE Bollywood actor worth watching and following, and the very fact that he is starring in <em>Aisha</em> makes me believe that this film will be ripe with artistic merit and innovation.</li>
<li> The lack of any <strong>Swiss Alps</strong> locale in the promo. Must I say more?</li>
<li><strong>Amit Trivedi</strong>. It is often assumed in Bollywood that music takes a back seat in &#8220;art&#8221; or &#8220;parallel&#8221; films. Trivedi has defied this notion. He won accolades for his stupendous work in <em>Dev D. </em>and for by far the most memorable and popular  song in <em>Wake Up Sid</em>, &#8220;Iktara,&#8221; which shined above the other music in the film, which was composed by Bollywood&#8217;s some of Bollywood&#8217;s most famous musical men, Shankar-Ehsaan-Loy. His involvement in this film can only be a good thing, and will also prove to be in stark comparison to the more typical, unimaginative track of <em>I Hate Luv Stories.<br />
</em></li>
<li>The Director. Rajshree Ohja. She&#8217;s a woman, she&#8217;s young, and she seems amazing. Check out this <a href="http://www.indianexpress.com/news/aisha-director-wants-to-document-india-aft/593922/">article about her</a> and see for yourself.</li>
</ul>
<ul>
<li><strong>The Producers. </strong>The Kapoor clan, Sonam Kapoor&#8217;s family, is  producing the film.<strong> </strong>Although her last two and only films weren&#8217;t  great, she  does have a certain modern appeal that her colleagues lack,  and I&#8217;m not quite ready to give up on her. Her character seems  very  different from the one in <em>IHLS</em>. In this film, she represents the  globalized Indian girl, a character I, a 24 year old  living in Boston,  can easily relate to. The reason I have so much faith in her character  is because of:</li>
<li><strong>Devika Bhagat. </strong>Bollywood&#8217;s latest trailblazer is the number one reason I  believe I will not be  disappointed by <em>Aisha</em>. Bhagat is  best known for writing  the witty, television show, <em>Mahi  Way</em>. The show just  aired its series finale last week (it lasted one  season), and the dialogue,  messages, casting, and story line made it  one of the best shows I&#8217;ve  seen on Indian television, and without a  doubt the most accurate portrayal of today&#8217;s Indian urban youth. I  first <a href="../?p=102">wrote about  the show</a> in the beginning of its season, and will write about my  opinion of the  show in its entirety when <em>Rishta.com</em>, another  brilliant dramedy  by the same production company comes to an end next  week. Until then, I  will add Devika Bhagat to my growing list of  Bollywood game changers.  She&#8217;s up there with Abhay Deol, Ranbir Kapoor,  and one day Vishal  Bhardwaj, Anurag Kashyup, and UTV (and even Imtiaz  Ali. We will just  pretend that <em>Love Aaj Kal </em>never happened).</li>
</ul>
<p>As I have said before, I am equally supportive of parallel films like <em>Mr. and Mrs. Iyer </em>as I am of films like <em>Dev D.</em> and of <em>Lage Raho Munnabhai</em>. There is room for films in Bollywood that are commercial but aren&#8217;t formulaic, and Aisha seems to fit in with these new crop of movies. If done right and my expectations are not to be let down, <em>Aisha</em> has the potential to further propel the world&#8217;s largest film industry in an even more progressive and innovative direction.</p>
<p>Here is the theatrical trailer. Enjoy!</p>
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		<item>
		<title>A Call Center Joke? How Original.</title>
		<link>http://www.thebollywoodobserver.com/2010/04/11/a-call-center-joke-how-original/</link>
		<comments>http://www.thebollywoodobserver.com/2010/04/11/a-call-center-joke-how-original/#comments</comments>
		<pubDate>Sun, 11 Apr 2010 22:05:24 +0000</pubDate>
		<dc:creator>Swati</dc:creator>
				<category><![CDATA[Bollywood]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Anil Kapoor 24]]></category>
		<category><![CDATA[My Name is Khan]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>
		<category><![CDATA[Steve Edwards]]></category>

		<guid isPermaLink="false">http://www.thebollywoodobserver.com/?p=111</guid>
		<description><![CDATA[Anil  Kapoor has become one of the most famous Bollywood stars in America. After the success of Slumdog Millionaire. The actor bagged a gig in the hit Fox series 24.
Recently, he was  interviewed by Good Day LA&#8217;s Steve Edwards. While Kapoor  enthusiastically explained the dwindling gap between the poor and the  [...]]]></description>
			<content:encoded><![CDATA[<p>Anil  Kapoor has become one of the most famous Bollywood stars in America. After the success of<em> Slumdog Millionaire</em>. The actor bagged a gig in the hit Fox series <em>24</em>.</p>
<p>Recently, he was  interviewed by <em>Good Day LA</em>&#8217;s Steve Edwards. While Kapoor  enthusiastically explained the dwindling gap between the poor and the  middle class in India, Edwards responded by saying, &#8220;How come every time I  call tech support I seem to get you on the phone?&#8221;</p>
<p>Here is the video of the interview:</p>
<p><object id="cs_player" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="330" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://eplayer.clipsyndicate.com/cs_api/get_swf/3/&amp;pl_id=2539&amp;page_count=5&amp;windows=1&amp;va_id=1387825&amp;show_title=0&amp;auto_start=0&amp;auto_next=1" /><embed id="cs_player" type="application/x-shockwave-flash" width="425" height="330" src="http://eplayer.clipsyndicate.com/cs_api/get_swf/3/&amp;pl_id=2539&amp;page_count=5&amp;windows=1&amp;va_id=1387825&amp;show_title=0&amp;auto_start=0&amp;auto_next=1" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>The interview was difficult to watch. Sadly, ignorant comments like Edwards have become quite common. In a <a href="http://www.boston.com/news/globe/editorial_opinion/political_blog/2006/07/my_parents_are_1.html"> blog  post</a> for <em>The Boston Globe</em>, I wrote about then Senator Joe Biden&#8217;s racist remark to an Indian American.</p>
<p>South Asian Americans are now regulars in prime time programing (all four shows in NBC&#8217;s two hour comedy line-up has an Indian American in a significant role), in Hollywood films, and even as heads of corporations like Pepsi and Citigroup.</p>
<p>Even Bollywood has built its presence in the US over  the last few years. When <em>My Name is Khan</em> was released earlier  this year, the stars and director of the film had interviews with <a href="http://www.desihits.com/video/view/shahrukh-khan-fareed-zakaria-interview-part-1">CNN</a>,  <a href="http://www.npr.org/templates/story/story.php?storyId=123589668">NPR</a>,  and other leading media outlets. The stars, Shahrukh Khan and Kajol,  even <a href="http://blog.taragana.com/e/2010/02/02/shah-rukh-khan-kajol-ring-nasdaq-opening-bell-86558/">rang  the opening bell</a> for NASDAQ.</p>
<p>It&#8217;s not surprising that Edwards was the one who rudely interrupted  Kapoor and made the absurd comment. On his show <em>The Soup, </em>Joel  McHale often mocks Edwards for his less than appropriate comments. He had  an <a href="http://images.eonline.com/uberblog/the_soup/b175753_does_jesus_like_chicken_oprah_says_yes.html">amusing response</a> to Edwards&#8217; remarks to Kapoor.</p>
<p>In an interview, Shahrukh Khan had stated that Bollywood actors will be known in  the US “in the next five or six years, very easily.” Here&#8217;s hoping that incidents like this don&#8217;t repeat themselves.</p>
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