After a very disappointing 2010 (My Name is Khan fans: stop reading now), I have good reason to be optimistic about the rest of the year. Fortunately, we won’t have to wait too long. On Friday, July 16, two movies that I’ve been eagerly waiting for will be released. Soon after that, Aamir Khan’s Peepli Live and Aisha will also hit  theaters.

Next week, Udaan and Tere Bin Laden will release. Udaan is another film that appeals to the urban youth audience, the latest trend in Bollywood. (Thank God the NRI phase is over). Anurag Kashyap  started last year with a bang when Dev D.’s success was attributed to this emerging demographic. As a producer for Udaan, I expect this film will also be able attract a younger crowd, and slowly, a larger audience. After the horrific HLS , which was as formulaic, predictable and cliche as they come, sensible Bollywood fans are dying for a film that is, well, good. Udaan will stand in stark comparison to IHLS. And if the film doesn’t turn out to be the saving grace of indie-Bollywood, we at least have some great music by Amit Trivedi. Check out the theatrical trailer for the film:

Promos for Tere Bin Laden never fails to make me burst out laughing. With such an enticing premise, which includes a look-alike Osama Bin Laden, the film has set up high expectations for anyone who hears the title or watches the trailer. If the filmmakers can pull off such a novel concept, it will be the biggest story in Bollywood this year. It’s a hard task, one that reminds me of my ultimate favorite film, Jaane Bhi Do Yaaron– it’s hard to beat the film’s satiric tone and  its intricately woven message about corruption. As is well known in Bollywood, it takes one movie to become a hit to start a trend. Bollywood hasn’t yet been able to consistently address political issues, and Tere Bin Laden would be a great start.

Peepli Live is the reason Aamir Khan is infinitely better than his arch nemesis, Shahrukh Khan. The film addresses farmer suicides, and even though it is produced by Bollywood’s favorite actor, most actors are either art house or unknown. The film would have gone unnoticed by the masses if it weren’t for Aamir Khan’s name attached to the project, and no matter how big Khan’s ego is (one of the biggest in Bollywood, which is saying something), the fact that he’s putting his name behind a film that isn’t a popcorn movie (even the music is authentic), is inspiring and commendable.

Here’s a great video about the film:

Let’s see what the coming weeks in Bollywood bring us. Hopefully, these films can carry us through the winter, when the brainless masala films takeover the industry.